2getheraudio Cheeze Machine 2 x64 x86 STANDALONE VST AU AAX WiN MAC
Download File :
Wednesday, January 16, 2019
Thursday, January 10, 2019
Sonic Reality Symphony Strings 2 SampleTank Expansion
Sonic Reality Symphony Strings 2 SampleTank Expansion
Sonic Reality has pulled out another classic Xpansion from the Vault, this time expanding on the original “Symphony Strings” title with additional solo and ensemble strings from their Interactive String Section archives and more. Featuring violins, violas, celli and basses played in a variety of different performance articulations such as legato, marcato, pizzicato, tremolo and more. If you’re looking for lush strings with emotion and feeling to add to your music, whether it is Hip Hop, Rock, Pop, Dance or Film Music, Symphony Strings 2 delivers unprecedented value for an orchestral string collection. Over 700 MB of strings that are different than the strings found in Miroslav Philharmonik. Having both offers a wider palette of orchestral flavors to choose from and build up lush layers.
Number of Sounds:
103 Sample based sounds (parent)
102 Preset sounds (child)
103 Sample based sounds (parent)
102 Preset sounds (child)
IK Multimedia Miroslav Philharmonik 2 v2.0.5 WIN MAC Incl Keygen-R2R
IK Multimedia Miroslav Philharmonik 2 v2.0.5 WIN MAC Incl Keygen-R2R
Download File :
Team R2R | March 22 2018 | WiN 77 MB | OSX 90.3 MB
Strings that soar, woodwinds that dance, brass that commands and a full symphony orchestra of sounds at your fingertips — all expertly performed with musical articulations for real music played by real musicians. From flowing legatos to animated pizzicatos, from aggressive spiccatos to elegant staccatos, from the most subtle pianissimo to the most triumphant fortissimo and more, Miroslav Philharmonik 2 is a sweeping vision from a master artist embodied in a new virtual instrument that brings the orchestra to life.
It’s not enough to just have good recordings of classical instruments. For a true symphonic experience, you need instruments performed by the absolute best musicians articulated in just the right way directed by a producer and conductor who knows the fine art of making living, breathing samples. Miroslav Vitous pioneered the concept of a complete symphonic sample library for real composers, and now he has taken it to the next level.
Homepage: http://www.ikmultimedia.com/products/philharmonik2/index.php?pp=philharmonik2-info
Wednesday, January 9, 2019
Audio Damage AD036 Dubstation 2 v2.0.4 WiN-OSX RETAiL-SYNTHiC4TE
Audio Damage AD036 Dubstation 2 v2.0.4 WiN-OSX RETAiL-SYNTHiC4TE
SYNTHiC4TE | August 30 2018 | 16.1 MB
The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products.
All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.
Changelog
Changes in v2.0.4
– Fixed Windows scaling bug for HiDpi-capable hosts (Notably FL Studio)
– Added “Width” control; this controls the stereo width of the wet signal. At 100% the left and right delays are hard-panned (original topology); at 0% they are centered, making the wet signal effectively monophonic.
Audio Damage AD048 PhaseThree v3.0.0 WiN-OSX RETAiL-SYNTHiC4TE
Audio Damage AD048 PhaseThree v3.0.0 WiN-OSX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Nov 26 2018 | 12.2 MB
PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do.
The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.)
Features
» Perfect model of the original Bi-Phase, down to the response of the vactrols.
» The unobtanium Bi-Phase expression pedal is modeled as a separate parameter, for control by your favorite modulation source.
» 12-stage phasor option for each channel, in addition to the original 6-stage phasors.
» XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)
» Entirely vector-based resizable high-resolution user interface
Audio Damage AD035 Grind v1.1 WiN-OSX RETAiL-SYNTHiC4TE
Audio Damage AD035 Grind v1.1 WiN-OSX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Jan 05 2019 | 17 MB
A true powerhouse of audio warfare, Grind puts the “damage” in Audio Damage. From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design.
Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities.
The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.
After this, the signal passes through a multi-mode filter stage, with eleven different filter models to choose from, including “vintage digital” versions from the early days of plugin development, on up to our modern analog-modeled MS20-style lowpass and highpass synth filters. A tempo-synced LFO provides motion for the filter frequency, and a final stage of soft clipping and DC filtering tames the output.
Make no mistake: this is not a subtle, polite tool. With careful tuning of the provided presets, it can be tamed to normal filtering and saturation duties, but on the whole, it is a noisy, snorting beast of a plug-in, and is happiest with Full Metal audio destruction.
Audio Damage has updated its Grind wavetable distortion and sound-shaping plugin for Windows, Mac and iOS.
Version 1.1 features a redesigned GUI with a new font for better legibility. Some controls were moved so that the interface better matches the signal flow.
Grind has been rebuilt with all current SDKs and a problem was fixed where filter type wasn’t reloading correctly. Note that any existing saves with previous versions will resolve to 4PLP filter until you re-save the session.
Waves Complete v2018.12.05 Incl Emulator-R2R
Waves Complete v2018.12.05 Incl Emulator-R2R
Download File :
Team R2R | Dec 07 2018 | 2.73 GB
Waves Audio has announced the release of Sibilance, Flow Motion FM Synth and Inspire Virtual Instruments Collection.
Sibilance, powered by Waves’ Organic ReSynthesis technology, is a transparent vocal de-esser that removes harsh vocal “s” sounds fast and at high quality – allowing you to make your vocals sound brighter without harshness. Thanks to its Organic ReSynthesis engine, Sibilance allows precise identification of unwanted sibilant sounds such as “s” and “sh,” resulting in smooth, glitch-free, effective de-essing that maintains the timbre, duration and natural resonance of the original vocal sound.
Unlike most de-essers, which act like narrow-band compressors, the Waves Sibilance plugin uses Organic ReSynthesis spectral filters to identify undesirable bursts of sibilant energy, then completely separates the nuances of sibilance from the vocal signal, leaving the rest of the signal untouched.
Once applied, Sibilance’s unique method of separating sibilant parts from the raw vocal signal allows for what would otherwise be extreme processing on the vocal track, such as aggressive EQing to drastically brighten a vocal.
With simple yet powerful controls, Sibilance takes only seconds to set up: Insert it on a vocal or voiceover track, and simply set the threshold and range controls to dial in the perfect amount of “s” reduction.
Waves Sibilance features:
Fast, powerful de-esser specifically designed for vocals and voiceovers.
Smooth, glitch-free removal of harsh “s” sounds.
Treats sibilant parts of the signal without affecting the color of the vocal track.
Easy-to-use threshold and sensitivity controls.
Sibilance detector powered by Waves’ Organic ReSynthesis technology.
Sibilance detection graph to help you visualize the amount of “s” reduction.
Smooth, glitch-free removal of harsh “s” sounds.
Treats sibilant parts of the signal without affecting the color of the vocal track.
Easy-to-use threshold and sensitivity controls.
Sibilance detector powered by Waves’ Organic ReSynthesis technology.
Sibilance detection graph to help you visualize the amount of “s” reduction.
Monday, January 7, 2019
Atomix VirtualDJ 2018 Pro Infinity v8.3.4514 Incl Patched and Keygen-R2R
Atomix VirtualDJ 2018 Pro Infinity v8.3.4514 Incl Patched and Keygen-R2R
DATE : 2018.08.22 | NUMBER : R2R-7062 | SiZE : 30.42 MB
PLATFORM : WiN32
PLATFORM : WiN32
VirtualDJ is a DJ software for PC and MAC, which is used by DJs to replace their turntables and CD players, and use digital music instead of vinyl and CDs. It features a breakthrough BeatLock engine that will keep your songs in tune and let you work your mixes incredibly faster than any other DJ.
VirtualDJ will let you mix and scratch music videos right from your turntables. The software is compatible with timecoded vinyls that let you scratch your MP3s directly on a real turntable, and with many other DJ equipment. Add to that the infinite number of cue points a DJ can save for each song and large collection of wonderful automatically beat-synchronized effects. You can use several interfaces to suit both beginners and professionals, record your mixes and burn them on CD, rip DVD, rip vinyl, create your own Internet radio, automatically mix playlists, use VST effects, display karaoke, and play DRMed file!
Resolume Arena 6 v6.1.0 Update Incl Patched and Keygen-R2R
Resolume Arena 6 v6.1.0 Update Incl Patched and Keygen-R2R
Team R2R | Oct 16 2018 | 84 MB
Resolume 6 is now 64 bit and multi-threaded so it can rev up all the CPU cores in your computer and utilise all available memory.
Faster Everything
You can now play more layers, in higher resolution (4K anyone?) so you can perform on bigger stages. Deck switching is now super fast so you can quickly find that one clip you’re looking for. The recorder is much faster so you can record longer and at higher resolution. Playback of DXV encoded files is much faster, as well as other formats.
You can now play more layers, in higher resolution (4K anyone?) so you can perform on bigger stages. Deck switching is now super fast so you can quickly find that one clip you’re looking for. The recorder is much faster so you can record longer and at higher resolution. Playback of DXV encoded files is much faster, as well as other formats.
Sunday, January 6, 2019
Audio Assault Dirt Machine v1.1 VST VST3 AU AAX RTAS MAC
Audio Assault Dirt Machine v1.1 VST VST3 AU AAX RTAS MAC
MAC – 19,66 MB
Audio Assault’s “Dirt Machine” is your new favorite distortion pedal plugin!
Built on the same engine as our highly acclaimed “Grind Machine II”, “Dirt Machine” gives you all the controls you wish you had on your favorite drive boxes with a no-nonsense workflow!
The on board 3 band eq allows you to sculpt your tone to perfection, and the built in noise gate helps eliminate noise issues before they happen!
Layout
Dirt Machine’s streamlined GUI places all controls at your fingertips in one screen. This keeps you focused on dialing in the right tone, and helps you avoid getting lost in a sea of options.
Dirt Machine’s streamlined GUI places all controls at your fingertips in one screen. This keeps you focused on dialing in the right tone, and helps you avoid getting lost in a sea of options.
The intuitive layout mimics the familiar workflow of most drive pedals, while remaining intuitive enough to operate in a DAW environment.
Preamp Controls
Dirt Machine’s on board controls provide a familiar workflow for effortless use. Controls for Gain, Bass, Mid, and Treble Each parameter can be automated, allowing for customization and flexibility!
Dirt Machine’s on board controls provide a familiar workflow for effortless use. Controls for Gain, Bass, Mid, and Treble Each parameter can be automated, allowing for customization and flexibility!
Pedals
Dirt Machine provides a wide variety of stomp box flavors to choose from!
Dirt Machine provides a wide variety of stomp box flavors to choose from!
+ Dead Pony models a boutique pedal that is beloved for focusing your amp’s drive section with another layer of drive to create maximum crunch.
+ Seoul Food models one of the smoothest overdrives, and all of the subtle dynamic nuances therein!
+ Acoustic Sim brings the CEO of acoustic simulator pedals to your DAW!
+ EPic Boost models a discrete FET preamp pedal known for its clean boost and ability to drive the input of any amp.
+ Huge Muff brings the legendary big furry distortion of the 90’s into your DAW.
+ Huge Muff Wick with wick lifts the big furry distortion out of the muck and into the air.
+ Texan Pride is the sound of the lone star state.
+ Lil Screamer will make sure that everyone hears your tubes scream!
+ Crayola is the smoothest colorful pedal in your virtual board!
+ DS-3 is a smooth high-gain distortion in an orange box.
+ ODC is a 3 letter drive with buttery high-end.
+ Fuzzbot – A nasty sounding fuzz by designed by us.
+ Seoul Food models one of the smoothest overdrives, and all of the subtle dynamic nuances therein!
+ Acoustic Sim brings the CEO of acoustic simulator pedals to your DAW!
+ EPic Boost models a discrete FET preamp pedal known for its clean boost and ability to drive the input of any amp.
+ Huge Muff brings the legendary big furry distortion of the 90’s into your DAW.
+ Huge Muff Wick with wick lifts the big furry distortion out of the muck and into the air.
+ Texan Pride is the sound of the lone star state.
+ Lil Screamer will make sure that everyone hears your tubes scream!
+ Crayola is the smoothest colorful pedal in your virtual board!
+ DS-3 is a smooth high-gain distortion in an orange box.
+ ODC is a 3 letter drive with buttery high-end.
+ Fuzzbot – A nasty sounding fuzz by designed by us.
Input / Output Section
The Input / Output section features a noise gate, an on/off switch, and a master output volume control.
The included GATE has a default threshold of -150dbfs, but can reach as high as 0dbfs to suit all your creative gating needs.
The Input / Output section features a noise gate, an on/off switch, and a master output volume control.
The included GATE has a default threshold of -150dbfs, but can reach as high as 0dbfs to suit all your creative gating needs.
The ON switch bypasses the plugin.
The MASTER control sets the output level of the plugin, and has a range of -12db to +12db.
Available for VST/VST3/AU/RTAS/AAX 32/64 bit for Windows & Mac
Audio Assault Multi Transient v1.7 WiN-OSX RETAiL-SYNTHiC4TE
Audio Assault Multi Transient v1.7 WiN-OSX RETAiL-SYNTHiC4TE
SYNTHiC4TE | May 21 2018 | 95 MB
Multi Transient is a multi band transient designer that gives you complete control over the shape of your tracks! Multi Transient isolates the transients of your audio and allows you to control the intensity of the transient and of the sustain! It’s multi band design allows you to fine tune where in the spectrum the attack and sustain should be shaped!
Tighten up a tubby kick drum, remove unwanted room tone, emphasize the decay of your toms, transform guitar DI’s, add brilliance to a vocal, and so much more! Multi Transient is not threshold dependent, meaning even the most dynamic of snare drums will be consistently shaped without worrying about automating a threshold like you would need to do on a compressor! Multi Transient is the ultimate tool for bringing out the power and potential of your audio!
Compatibility
Multi Transient is available in VST/VST3/RTAS/AAX and AU* on Mac & Windows in both 32 & 64 bit versions.
*AU is only available on Mac.
Multi Transient is available in VST/VST3/RTAS/AAX and AU* on Mac & Windows in both 32 & 64 bit versions.
*AU is only available on Mac.
Multi Transient has been updated.
New Preset System ( From our newer plug-ins )
Mouse over value display
AU Name issues fixed.
Mouse over value display
AU Name issues fixed.
Audio Assault Transient+ VST VST3 AU AAX RTAS v1.2 MAC WiN
Audio Assault Transient+ VST VST3 AU AAX RTAS v1.2 MAC WiN
MAC – 37,98 MB | WiN – 47,67 MB
Tighten up a tubby kick drum, remove unwanted room tone, emphasize the decay of your toms, transform guitar DI’s, add brilliance to a vocal, and so much more!
Attack
The Attack parameter controls the strength of the detected transients.
A high attack will increase the perceived attack of an instrument, giving the impression of a high velocity note being played.
A low attack will give the opposite effect.
The Attack parameter controls the strength of the detected transients.
A high attack will increase the perceived attack of an instrument, giving the impression of a high velocity note being played.
A low attack will give the opposite effect.
Sustain
The Sustain parameter controls the strength of the detected sustained signal post-transient.
A high sustain will increase the amplitude of the sustain portion of the signal, allowing you to increase the decay of the source.
A low sustain will give the opposite effect.
The Sustain parameter controls the strength of the detected sustained signal post-transient.
A high sustain will increase the amplitude of the sustain portion of the signal, allowing you to increase the decay of the source.
A low sustain will give the opposite effect.
2X
The 2X control doubles the effect of the respective Attack and Sustain controls.
The 2X control doubles the effect of the respective Attack and Sustain controls.
Clip
Activates a clipper on the output of each respective section, which gives the output of Multi Transient a hard digital ceiling. This can be used to control the strength of the transients when the 2X switch is activated by clipping the transient if it gets too hot. For exaggerated clipped effects, push into the clipper using the Output control.
Activates a clipper on the output of each respective section, which gives the output of Multi Transient a hard digital ceiling. This can be used to control the strength of the transients when the 2X switch is activated by clipping the transient if it gets too hot. For exaggerated clipped effects, push into the clipper using the Output control.
Output
Dials in the right amount of output gain using a linear output circuit.
Dials in the right amount of output gain using a linear output circuit.
Phase
Inverts the polarity of the plugin’s output.
Inverts the polarity of the plugin’s output.
Bypass
Brings Multi Transient in and out of bypass.
Brings Multi Transient in and out of bypass.
Mix
Blends between the completely dry signal and the output of the channel’s transient detection and shaping circuit. Allows you to find just the right overall blend of the shaped signal, or to create more subtle parallel transient shaping effects.
Blends between the completely dry signal and the output of the channel’s transient detection and shaping circuit. Allows you to find just the right overall blend of the shaped signal, or to create more subtle parallel transient shaping effects.
Compatibility
Transient+ is available in VST/VST3/RTAS/AAX and AU* on Mac & Windows in both 32 & 64 bit versions.
Transient+ is available in VST/VST3/RTAS/AAX and AU* on Mac & Windows in both 32 & 64 bit versions.
Audio Assault Emperor v1.0 WiN-OSX RETAiL-SYNTHiC4TE
Audio Assault Emperor v1.0 WiN-OSX RETAiL-SYNTHiC4TE
SYNTHiC4TE | Sept 30 2018 | 269 MB
Emperor is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin!
Emperor is inspired by a proprietary blend of modern metal legends, with a brightness and chunk that can cut through the heaviest mixes.
Emperor is inspired by a proprietary blend of modern metal legends, with a brightness and chunk that can cut through the heaviest mixes.
Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Emperor makes it easy to craft the perfect tone quickly!
Layout
Emperor uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control.
Amp Section
Emperor uses an intuitive layout that mimics the familiar setup of most guitar rigs, making it a breeze to use at all skill levels! The top panel features a noise gate to reduce noise problems, as well as the Stomp, Amp, and Cab sections, followed by a linear output control.
Amp Section
The heart and soul of Emperor is a two channel high gain monster!
Emperor defaults to Channel 1, which features parameters for Gain, Bass, Mid, and Treble.
Channel 2 features parameters for Gain, Bass, Mid, Treble, and Presence.
Emperor defaults to Channel 1, which features parameters for Gain, Bass, Mid, and Treble.
Channel 2 features parameters for Gain, Bass, Mid, Treble, and Presence.
Both channels clean up quite well at low gain settings, but neither will go fully clean. This allows for a versatile palate of tones, from crunchy rhythm to djent. If you want lush clean tones, Emperor isn’t for you.
Included “ON” switch allows you to bypass the Emperor amp head, allowing you to just use the Stomp or Cab sections if desired.
Each parameter in the Amp section can be automated, allowing for customization and flexibility!
Stomp Section
The Stomp section features 5 pedal slots, allowing you to choose between any combination of Emperor’s 10 included guitar pedals.
Optional FX Loop allows you to place any pedal in the effects loop of Emperor’s amp head, allowing the pedal to process the output signal of Emperor instead of the input signal.
Each pedal in the Stomp section can be automated, allowing for customization and flexibility!
Stomp Section
The Stomp section features 5 pedal slots, allowing you to choose between any combination of Emperor’s 10 included guitar pedals.
Optional FX Loop allows you to place any pedal in the effects loop of Emperor’s amp head, allowing the pedal to process the output signal of Emperor instead of the input signal.
Each pedal in the Stomp section can be automated, allowing for customization and flexibility!
Included Pedals
Boost: Adds a treble boost to the signal, controllable with one single knob!
Screamer: Based on a legendary green overdrive pedal, Screamer can be used as a clean treble boost or to add overdrive!
Compressor: A 4 parameter compressor designed to add sustain and attack to the incoming signal, or to manage the dynamics of the output when placed in the FX Loop.
Distortion: A two parameter distortion unit that takes you from mild overdrive to nasty fuzzy metal tones!
Chorus: A modulation monster that takes you anywhere from Classic Rock to Nu Metal and everywhere in between! The included mix knob allows you to fine tune just the right amount of the effect!
Tremolo: Not just for surf rock anymore, this Tremolo pedal will add movement and contrast to your tone!
Doubler: Not just a slight delay, this doubler splits the signal in two and changes the shape of one of them to create a convincing double tracked effect!
Boost: Adds a treble boost to the signal, controllable with one single knob!
Screamer: Based on a legendary green overdrive pedal, Screamer can be used as a clean treble boost or to add overdrive!
Compressor: A 4 parameter compressor designed to add sustain and attack to the incoming signal, or to manage the dynamics of the output when placed in the FX Loop.
Distortion: A two parameter distortion unit that takes you from mild overdrive to nasty fuzzy metal tones!
Chorus: A modulation monster that takes you anywhere from Classic Rock to Nu Metal and everywhere in between! The included mix knob allows you to fine tune just the right amount of the effect!
Tremolo: Not just for surf rock anymore, this Tremolo pedal will add movement and contrast to your tone!
Doubler: Not just a slight delay, this doubler splits the signal in two and changes the shape of one of them to create a convincing double tracked effect!
Delay: A flexible delay unit that is capable of adding depth and space to your tone!
Reverb: A sinfully simple, yet flexible reverb unit that is great for emulating small spaces or infinite drones!
Auto-Wah: A Wah pedal with character! Using the Sensitivity control to switch between Auto and Manual modes, and the resonance control to choose how strong the Wah effect will be! Rocking the pedal back and forth will change the pivot point in Auto mode, and will allow you to manually perform the Wah pedal using your mouse or a midi controller!
Cab Section:
The Cab section utilizes our virtual cab technology to deliver the feel and microdynamic movements of a real speaker in a real room! The virtual cabinet section features a virtual microphone that you can move to find the sweet spot and perfect your tone, and allows you to choose from 4 microphone and cabinet models! The included HP and LP filters help shape the output to fit perfectly in your mix. Use the Distance control to adjust the proximity of the microphone to the cabinet. The Cabinet menu also allows you to access Emperor’s built in IR loader, allowing you to use your own IR collection within Emperor!
Reverb: A sinfully simple, yet flexible reverb unit that is great for emulating small spaces or infinite drones!
Auto-Wah: A Wah pedal with character! Using the Sensitivity control to switch between Auto and Manual modes, and the resonance control to choose how strong the Wah effect will be! Rocking the pedal back and forth will change the pivot point in Auto mode, and will allow you to manually perform the Wah pedal using your mouse or a midi controller!
Cab Section:
The Cab section utilizes our virtual cab technology to deliver the feel and microdynamic movements of a real speaker in a real room! The virtual cabinet section features a virtual microphone that you can move to find the sweet spot and perfect your tone, and allows you to choose from 4 microphone and cabinet models! The included HP and LP filters help shape the output to fit perfectly in your mix. Use the Distance control to adjust the proximity of the microphone to the cabinet. The Cabinet menu also allows you to access Emperor’s built in IR loader, allowing you to use your own IR collection within Emperor!
Included Microphones:
Dynamic 57: Based on that famous workhorse microphone! You know the one!
Condensor T1: Based on a legendary Large Diaphragm condenser, this mic delivers a present midrange bite!
Ribbon 121: Based on a classic dynamic ribbon mic, this mic is well known for keeping harsh upper mids at bay!
Dynamic 421: Based on another studio workhorse, the 421 delivers a midrange bite without being too harsh in the upper mids!
Dynamic 57: Based on that famous workhorse microphone! You know the one!
Condensor T1: Based on a legendary Large Diaphragm condenser, this mic delivers a present midrange bite!
Ribbon 121: Based on a classic dynamic ribbon mic, this mic is well known for keeping harsh upper mids at bay!
Dynamic 421: Based on another studio workhorse, the 421 delivers a midrange bite without being too harsh in the upper mids!
Included Cabs:
British 4×12: Based on a legend that helped define rock and metal!
American 2×12: Based on a series of legendary combo amps from a name that started Rock & Roll.
Japanese 2×12: Based on a popular Japanese line of cabinets that deliver a big bottom end!
German 4×12: Based on a legendary German cab beloved in Rock & Metal for it’s midrange presence!
British 4×12: Based on a legend that helped define rock and metal!
American 2×12: Based on a series of legendary combo amps from a name that started Rock & Roll.
Japanese 2×12: Based on a popular Japanese line of cabinets that deliver a big bottom end!
German 4×12: Based on a legendary German cab beloved in Rock & Metal for it’s midrange presence!
IR Cabinet:
Selecting “IR Cabinet” will change the Mic selector to an IR selector, allowing you to choose between 14 included custom cabinet IR’s.
“IR Cabinet” bypasses the virtual cabinet.
The folder icon to the right allows you access to the folder where the included IR’s are located, allowing you to add your own IR collection to the directory folder for use in Dominator.
Selecting “IR Cabinet” will change the Mic selector to an IR selector, allowing you to choose between 14 included custom cabinet IR’s.
“IR Cabinet” bypasses the virtual cabinet.
The folder icon to the right allows you access to the folder where the included IR’s are located, allowing you to add your own IR collection to the directory folder for use in Dominator.
Dominator is available in VST,VST3,AU,AAX & RTAS plug-in formats for both Mac & Windows.
Saturday, January 5, 2019
Asonic Dark Hip Hop WAV MIDI Serum Nexus
Asonic Dark Hip Hop WAV MIDI Serum Nexus
Serum Presets | Nexus Presets | MIDI | WAV | 48 kHz / 24 bit – 522 MB
Asonic brings you “Dark Hip Hop” an array of unique, Dark Hip-Hop Construction Kits, elements, MIDI files and Synth Presets to assist you in all your creative Hip-Hop production.
The pack provides 5 Complete Construction Kits, WAV files, MIDI files, Serum & Nexus synth presets.
What’s in the pack:
– 5 Complete Construction Kits
– MIDI files
– Serum Preset Patches
– Nexus Preset Patches
– WAV format 48 kHz / 24 bit
– 5 Complete Construction Kits
– MIDI files
– Serum Preset Patches
– Nexus Preset Patches
– WAV format 48 kHz / 24 bit
Thursday, January 3, 2019
Pure EDM Massive EDM Drops Vol.2 ACiD WAV MiDi
Pure EDM Massive EDM Drops Vol.2 ACiD WAV MiDi
Download File :
ACiD WAV MiDi | 1.34 GB
‘Massive EDM Drops Vol 2’ reignites this series of dancefloor-shaking songstarters from Pure EDM, bursting out of the blocks with 25 micro Construction Kits designed to get your next track up and running. These hard-hitting basslines, drop synths and quintessential drums are inspired by elite production talents like VINAI, Showtek, W&W and Hardwell.
Within this pack you’ll find 25 micro Construction Kits including all the drum and percussive elements heard in the main Kit demos, leads and synth drops. Each of these powerful drum and lead synth combos could easily form the backbone of your next EDM smash hit and with the included MIDI data you can customise them to perfectly suit your production.
Pure EDM is an exciting new label from Producer Loops, designed to bring you the very best content for your productions. Pure EDM products perfectly capture the Big Room sound, bringing you stunning production quality and only the most current & essential EDM loops.
MIDI Files Included:
‘Massive EDM Drops Vol 2’ includes MIDI files for every lead and synth heard in each Kit, allowing you to seamlessly mix your favourite synths and samplers with the sounds contained in the pack.
Advantages of MIDI:
While the supplied ACID/WAV content is extremely flexible and powerful, MIDI has the added benefit of allowing you to go to extremes of pitch and tempo beyond which the loops were originally recorded, with no time stretching or pitch shifting artefacts. Furthermore, you can make tweaks to the riffs so they fit perfectly into your existing mixes.
Dry/Wet Loops:
For users looking to simply drag and drop, the ‘wet’ files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, ‘dry’ loops are also included. Don’t like the wet loops? No problem, add your own effects.
Royalty-Free:
All of the loops in this product are 100% Royalty-Free (including the vocal loops), so once purchased, you can use these loops in your commercial releases without having to pay any hidden costs.
Specifications:
• 25 Construction Kits
• ACIDized WAV Files
• Loops sync to BPM
• 44.1 kHz/24-Bit
• PC/Mac Compatible
• Royalty-Free (No Exceptions)
• ACIDized WAV Files
• Loops sync to BPM
• 44.1 kHz/24-Bit
• PC/Mac Compatible
• Royalty-Free (No Exceptions)
Pure EDM Massive EDM Drops Vol.1 ACiD WAV MiDi
Pure EDM Massive EDM Drops Vol.1 ACiD WAV MiDi
Download File :
ACiD WAV MiDi | 1.30 GB
‘Massive EDM Drops Vol 1’ from Pure EDM features 25 micro Construction Kits containing over 2GB of melodic content to kick-start countless future productions. Packed full of rip-roaring synth leads and hard-hitting percussion loops, these commercial sounds are inspired by Progressive House & EDM heavyweights like W&W, David Gravell & VINAI. This all-inclusive synth collection features up and down filters, as well as dry & wet files and MIDI.
Within this pack you’ll find 25 micro Construction Kits including all the drum and percussive elements heard in the main Kit demos, leads and synth drops. Each of these powerful drum and lead synth combos could easily form the backbone of your next EDM smash hit and with the included MIDI data you can customise them to perfectly suit your production.
Pure EDM products perfectly capture the energy and fat sounds that EDM is famous for.
MIDI Files Included:
‘Massive EDM Drops Vol 1’ includes MIDI files for every lead and synth heard in each Kit, allowing you to seamlessly mix your favourite synths and samplers with the sounds contained in the pack.
Advantages of MIDI:
While the supplied ACID/WAV content is extremely flexible and powerful, MIDI has the added benefit of allowing you to go to extremes of pitch and tempo beyond which the loops were originally recorded, with no time stretching or pitch shifting artefacts. Furthermore, you can make tweaks to the riffs so they fit perfectly into your existing mixes.
Dry/Wet Loops:
For users looking to simply drag and drop, the ‘wet’ files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, ‘dry’ loops are also included. Don’t like the wet loops? No problem, add your own effects.
Royalty-Free:
All of the loops in this product are 100% Royalty-Free (including the vocal loops), so once purchased, you can use these loops in your commercial releases without having to pay any hidden costs.
Specifications:
• 25 Construction Kits
• ACIDized WAV Files
• Loops sync to BPM
• 44.1 kHz/24-Bit
• PC/Mac Compatible
• Royalty-Free (No Exceptions)
• ACIDized WAV Files
• Loops sync to BPM
• 44.1 kHz/24-Bit
• PC/Mac Compatible
• Royalty-Free (No Exceptions)